Brandon Sanderson: The Way of Kings

The land of Roshar is fraught with conflict and turmoil. The ancient order of the Knights Radiant, wielders of magical Shardblades and Shardplate and tasked to protect humanity against the Voidbringers, succumbed to corruption and vanished millenia ago. The various kingdoms are now alone on Roshar, a continent where highstorms rage and monarchs fight over the invaluable Shardblades and Shardplates.

Kaladin, once a promising surgeon's apprentice, threw his career away to save his younger brother Tien. A soldier, and now a slave, he has become disillusioned, betrayed and failing to save others again and again. Shallan, the only daughter of a lord of Jah Keved, journeys to distant Kharbranth, determined to become the ward of the renowned scholar Jasnah Kholin. During her studies, she discovers frightening truths about the history of Roshar. Dalinar Kholin is the younger brother of the assassinated Alethi king Gavilar Kholin. While fighting the enemy Parshendi during the Vengeance Pact sworn after his brother's death, he receives strange visions about the Knights Radiant.

The Way of Kings is the first volume in a planned ten-novel series by fantasy author Brandon Sanderson. Following his successful Mistborn series, Sanderson's skills remain tight as ever. The novel is immense (over 1000 pages), and starts off a little slow. Nevertheless, it sucks you in and immerses you entirely in the fictional world of Roshar. The world is constructed masterfully and feels real, albeit alien. The spren spirits, violent highstorms, and various cultures mix to form a detailed world. The powerful prologue establishes a lore and history that hints at future revelations to come. Throughout the novel, characters learn and reference the Knights Radiant, and the history feels very developed and real.

As always, Sanderson is a master at creating logical magical systems. In Roshar, magic seems to revolve around the number ten: Ten Heralds, Ten orders of the Knights Radiant, Ten Silver Kingdoms, Ten essences, to name a few. Although the opening chapter features a lot of magic (Shardblades, Shardplate, Lashings, Stormlight), overt use of magic is sparse throughout the remainder of the novel. The only prevalent magic lies in Shardblades/Shardplate, although both seem natural in the world of Roshar, rather than plot devices.

Sanderson's characterization has vastly improved since his earlier works. Kaladin and Dalinar are deep, developed characters. The interspersed chapters on Kaladin's past reveal a lot about his history and motivations for his actions. Dalinar's position as the king's advisor is particularly noteworthy, as he is the sole champion of honor amidst of a crowd of squabbling nobles. The only character who feels underdeveloped is Shallan - however, her final chapters are very striking, as we finally learn about her motivations.

The scope of the volume is epic. There are many interludes that establish sideplots that don't conclude, hinting at more plotlines to come. The entire novel is one giant buildup, as characters learn more and more about the impending doom. Despite starting slow, the novel gains steadily in pace, ending with a very frantic climax. The final chapter ends spectacularly, setting up an explosive momentum for the sequel.

The Way of Kings is an epic novel, ambitious yet successful at the same time. It delivers on all levels, and does not drag or postpone too much for the later novels. Author Brandon Sanderson has begun a work that may become one of the best fantasy series of the decade.

Rating: (9.5/10)

Cargo

Cargo is a Swiss film, directed by Ivan Engler. Set in a dystopian future where Earth is uninhabitable, humans have relocated to giant space stations in orbit around Earth. The majority of humanity lives in squalor, while the Kuiper Corporation, which controls shipping and colonization, effectively controls everything. Humanity's only hope is Rhea, a planet like Earth, reserved for the few who have earned tickets to paradise.

Laura Portmann is a doctor, working on a sleeper cargo ship to earn her fare to Rhea, where she can finally reunite with her sister's family. The crew on the ship works in 4-month shifts, sleeping cryogenically in the meantime. Towards the end of her shift, Laura notices something strange about the cargo hold. She investigates, and things start going awry. Together with the rest of the crew and the supervising marshal, they try to figure out what's going on.

The mood and atmosphere is fantastic. The dystopian setting feels genuine, and life off Earth seems very bleak. The film starts off slowly, but the intensity steadily rises until we receive shocking revelations towards the climax. The supporting characters and crewpeople do seem a little flat, and don't receive much screen time. Several plot threads towards the end also feel a bit contrived, and the ending is slightly rushed. The story remains captivating, however, even though the movie succeeds a lot better when it focuses on the smaller aspects, and starts to fray when it delves into bigger ideas. Overall, Cargo is an entertaining, thoughtful sci-fi movie that is worth watching.

Rating: (7/10)

Guy Gavriel Kay: Under Heaven

Under Heaven is the latest novel by author Guy Gavriel Kay. Kay writes fantasy-historical fiction - that is, he incorporates light elements of fantasy into a fictional world that closely resembles a period of history. In this case, the setting is the 8th Century Tang Dynasty in China; his world is named Kitai. Many of his characters are modeled after actual people during the time: for example, Emperor Taizu's real-life counterpart is Emperor Xuanzong, and his consort Wen Jian is modeled after Xuanzong's consort Yang Yuhuan.

The novel begins with Shen Tai, the second son of recently deceased general Shen Gao. Tai spends his two official years of mourning burying dead soldiers in the famous battleground of Kuala Nor, in which the Kitans defeated their Taguran neighbors and started twenty years of peace. When his mourning is almost over, he receives a gift from the Taguran princess - 250 Sardian horses.

You give a man four or five Sardian horses to exalt him, propel him towards rank, and earn him (possibly mortal) jealousy. Two hundred fifty is an unthinkable gift, overwhelming for an emperor. Tai finds himself drawn quickly into Kitan politics, immersed in a web of intrigue and outmaneuvering that threatens to plunge the empire into chaos.

The worldbuilding in this novel is outstanding. Told from the perspectives of multiple characters, you feel like you are actually journeying in this China-esque world of Kitai, from the steppes of the Bogü tribes to the sprawling urban mess of Xinan. The plot is very grand and sweeping, despite the very personal perspectives we are given. Although most of the story is seen through Tai's eyes, hints of a much larger system of events are easily found, and the intrigue and politics are complex and realistic. The story starts off slow, but establishes a framework that draws the reader in more and more, until events become frantic and reach a climax.

As always, Kay's greatest strength lies in his characters. The protagonist, Tai, is very well constructed, and the supporting characters are all deep and three-dimensional. Characters like the Kanlin warrior Wei Song, Tai's sister Li-Mei, and the Prime Minister Wen Zhou are all portrayed in depth, even if they are not given much screen time. Even minor characters play a large role, and the tragic deaths of relatively unimportant characters still strike chords within the reader. Towards the climax, we understand each character's internal motivations and personalities deeply, which make the ultimate result carry all the more emotional force. The ending, although short, wraps everything up nicely, and provides a satisfying conclusion for all the characters.


Under Heaven is one of those novels that you can just keep on reading, regardless of length. Weighing in at over 500 pages, I nevertheless finished the book wanting 500 more. The story Kay tells is exquisitely fascinating and resounding, a work of fantasy and historical fiction that nevertheless feels real. Besides it intricate structure, its characters are perhaps its strongest point - the reader grows to empathize for them greatly. Everything is so well-drawn and fleshed out, and nothing feels off or lacking. Simply put, a superb, one-of-a-kind novel.

Rating (10/10)